"Dimanasus Prophecy":
FILM WITH ANIMATED CARTOON EPISODES OR COMPUTER ANIMATED FILM
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Minsk, Republic of Belarus
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The latest synopsized-screenplay adaptation version of 2016 has been enhanced with spin-off stories based upon my “Dreams Inside Out” and “Dreaming Upside Down” novelettes, and woven with my theoretical curious-to-know prophecies, theories and ideas behind them which all are harmonically and logically integrated in a plot.
The full-version of synopsis-screenplay is available at your request only after signing the “LETTER OF INTENT” that is to state your intention to financially participate, or participate practically by providing the relevant professional service if needed, in either a crowd-funding campaign, or crowd-investing or direct-financing campaign.
I hope that the storyboard visualization demo screen-shots presented at my Facebook page (note: please, go to “PHOTOS” and pick up the relevant “ALBUM”) give enough “clues and hints” to pop-up with an idea what the whole story is about.
The main underlying pictorial concepts for the filming include “docuficiton- get inside” scenes-shooting and animated cartoon episodes created with applying optical-art illusion and glasses-free 3D visual effects (VFX).
Starting with a human trafficking background story
reflected in "Dimanasus Prophecy: THE DREAMS" film video-release in
2008, more than anything else, the
updated “Dimana$U.$. Prophecy” story is about the ultimate
triumph of “TRUE LIVING LIFE” which is my trial of making "illusory
but true" pictorial introduction to a higher meaning of being implied
and hypothesized as “start learning how to live happily and let
others to have their happy lives” which is revealed as “state of superior but
everyone-trained-mind”.
“Dimana$U.$. Prophecy” is to cause people to
re-evaluate the significance of their own actions or inaction, and how that can
affect the lives of people they don’t even know, who may live thousands of
miles away from each other across the globe, yet you and all of us are
connected to each other by the same Universal Oneness and Law of Attraction.
Maybe we've got it all wrong.
ANNOTATION
Although set a
midst background of common people
whose lives are profoundly altered by their intersection with the global
criminal network, the “Dimana$U.$. Prophecy”story plot emerges as an
overall gestalt about serendipitous Cause and Effect along the chain of human
"interconnectedness".
“Dimana$U.$.Prophecy” story is also a raw,
in-your-face portrayal of human nature's ugliest sides; our potential to allow
ourselves to be controlled by avarice that's lower than that of a vicious wild
animal, and by great cruelty and insensitivity to the pain and suffering of
others.
While we all have our interesting differences, and live in many nations on the same BLUE PLANET, we all have DREAMS. And isn't amazing that our dreams and secrets are almost the same? What is even more amazing is that we human beings, despite our ideological and cultural diversity, share in one collective universal struggle, which is our natural desire to be happy, against the forces that work to rob us of being happy.
“Dimana$U.$. Prophecy” will introduce you to a higher
meaning of what we commonly call "love" and “attraction” that applies
to the social phenomena of “wearing the masks” and “attaching the labels”
causing people around us to get the wrong impression about who we really are;
the wrong impression can cause us to be sucked into lots of trouble. At the
same time this is my trial to make “visionary” introduction to a higher meaning
of what we commonly call "true love" that implies the issue called
“to learn how to love” and being revealed as “state of mind” superior than
“state of soul”.
The recurrent theme of the Dimana$U.$. Prophecy can be
summed up with a question:
“Is it better to live as a small fish in an aquarium, swimming
back and forth in a two-dimensional, artificially lit world, never worrying
about food, being comfortable but having no real freedom; having a place to
live and swim, but never being able to move beyond permanent glass walls? Or is
it better to be like a fish that swims freely in the limitless ocean but must
continually hunt for food to survive being permanently afraid of
not-to-be-eaten?”
A powerful phrase or sentence around all
forms of my experimental audio-visual artworks and entire project is:
“Love others in exact way they expect you to love them”.
The episodes of the film are determined by so called
“common and rational sense in contradiction” idea and most of the film scenes
are to be visualized by applying my “oxymoron interpretation”
visualization methods and techniques.
“Dimana$U.$.
Prophecy” story and its spin-off stories reflected in my experimental
audio-visual artworks and novels make a contribution toward the elevation of
human consciousness and the increase of humanity's understanding of such issues
and topics as followings:
- dream telepathy, X-ray
visioning, clairvoyance (prophecies), psycho kinesis, psychic self-healing,
"deja vu" ;
- exploring the hidden
infrastructure of reality and experiencing second-life in the dreams, sleep research, recurring dreams of specific age groups, crisis markers in dreams;
- life purpose dreams,
relationship themes, spiritual and psychic awakening, visitation dreams and
nightmares.
My
practice combines the divergent traditions of independent experimental film, as
well as using digital and computer graphic making tools and software in unusual
ways. My video-release has been created
as a visual "proof" of something that could not be conveyed in words
that inform my work, followed by an explanation of the submitted demonstration
video-release, which shows what my proposed film will be like. It attempts to
describe and explain the envisioned film, in reference to the Promo-DVDs
that include trailers, screenplay in chapters and episodes describes the
working process needed to make the proposed film feasible.
By my practicing experimental film-making I work in an idiom referred to "abstract aporia-cinema", "graphic oxymoron objects choreography" and "paradoxical-visionary filming".
The film episodes with docufiction-“get inside” elements are based on tourist journalist- dilettante original novel story investigation (mainly made by using hidden camera and mobile phone video-shooting) results and to be screened as undercover video device screen-framed shots with applying my (aka Author’s) visual techniques that causes so called “spectator-get-inside” self-presence and event-being-involved effects.
According
with a plot a few well-rounded film characters (“lifelike”
people”) launch their own parallel investigations separately in different
places and times that finally direct them to be trapped into one “every one
peeps on everybody” spy-but-funny story based upon original screenplay properly
modified and adopted for docufiction- movie. In its deep meaning such participatory and per-formative docufiction-movie reflects
my artistic point of view on certain issue and topics reflected in
a plot having hidden underlined messages plus some moral and ideological
ambitions.
It
is planned to be mixed "observational" and "a fly on the wall" mode
of filming with some episodes showing certain movie
characters using hidden-cameras and mobile gadgets. Such way of “secret-making”
shootings also include some elements of comedy as, for example, young woman “upskirt” shots taken in subway (underground) and
luxury shopping malls as well as involving secret videos of tenants taken in
bathrooms and dressing rooms in private rental apartments building and
sea-shore villa.
As some sort of “compilation film” the
docufiction-movie includes documentary itself which is planned to be
shown as series of stories about criminal activity victimized young people from
Russia, Belarus and Ukraine who have been trapped in to human trafficking,
domestic slavery and human organs transplantation scams affairs. Such expository
documentary will speak directly to the spectator in the form of an
authoritative “voice-of-God” commentary sounded objective and omniscient.
Being designed to be screened as Internet published videos (like on YouTube,
for example) shown on movie characters held media devices or TV breaking news
such documentary is purposed to educate the public about the tricks used by
criminals; such as, the establishment of fake international employment,
marriage and modeling agencies; adoption centers; summer camps for children;
and health clinics where the "harvesting" of innocent women,
men and children occurs. The rhetoric
insistently presses upon the audience to read the images in a certain fashion.
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