Screenplay presentation in selected episodes

I, Dzmitry Alyaksandravich Vasilyeu, the Author and the copyright holder of this work, hereby publish it under the Creative Commons International License (https://creativecommons.org) with “NonCommercial-NoDerivs” Attribution:

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1. EPISODE “CASINO STORY”

SCENE 1

INT. CASINO – CROWD – BRIGHT LIGHT

(“Chora", "Fly")

“Chora" and "Fly" stand in a crowd. “Fly” turns her head at right and left sides a few times running.

“Fly”:

- What a mess over here! And where are my bitches?

People’s shouts, ”BraBra” voice and falling down glasses crash are sounded at the same time.

“Chora”:

- Let’s move our asses to see what is happening on that roulette table.
I prey it is not about “BraBra”. When she is drunk she is furious and absolutely unpredictable!

“Fly”:

- She is certainly drunk! And she’s certainly unpredictable!

“Chora" and "Fly moves approaching the roulette table.

SCENE 2

INT. CASINO – CROWD - BRIGHT LIGHT

(“Blow")

“Blow” stands close to the roulette table holding a glass with her right hand. She drinks at a gulp getting too drunk and starting looking in front with a great interest. Two hard breathings sound at the same time.

SCENE 3

INT. CASINO – CROWD – ROULETTE TABLE- BRIGHT LIGHT

(“Dinamo",”BraBra”)

“BraBra”, partially naked and drunk, lies on the roulette table.

“Dinamo” is over “BraBra” trying to strangle her. Two girls fight breathing very hard.

“Dinamo”:

V.O

(breathless voice).

- Fuck off, bitch! You are bloody drunk lesbian!

SCENE 4

INT. CASINO – ROULETTE TABLE – BRIGHT LIGHT

("BraBra”)

“BraBra” lies on the roulette table.

“BraBra”:

- It’s you, bitch, but you are just too afraid to confess that you prefer girls to boys!

FADE OUT

SCENE 5

INT. CASINO – EXIT DOORS – DOWN STAIRS - BRIGHT LIGHT

(”BraBra”, “Casino guard #1”)

“Casino guard #1” holds “BraBra” head hear with his left hand. “BraBra” makes ugly face. They both go down stairs quickly.

FADE IN

”Casino guard #1”:

- Let’s go quickly, lady, I will give you a lesson about how to behave “all right” in casino.

FADE OUT

SCENE 6

INT. CASINO – CASINO BASEMENT – CAGE – DARK LIGHT

(”BraBra”, “Casino guard #1”)

FADE IN

“Casino guard #1” pushes “BraBra” to enter the cage. He sneers a few times running. “BraBra” is naked. She makes some efforts to keep cage door closed and not to go inside.

“BraBra”:

- What a hell are you doing, man? It’s fucking cold here.

“Casino guard #1”:

- I was told you are very hot cheeky bitch, true or not, never know!

- But what’s for sure, I do not like playing around with drunken girls, especially if they are lesbians.

“Casino guard #1” finally opens a cage door and hardly pushes “BraBra” into the cage. She flies in to the cage quickly and in one moment runs against the wall.

“BraBra”:

- I am not a lesbian and I am not a Frost Queen either!

- Give me my clothes back! Where are your good manners, bastard?

“Casino guard #1”:

- I am about one second to show you my good manners!

“Casino guard #1” closes the cage door.

(continues)

- So do you really like horny young lads?

“BraBra”:

- I do prefer an old-man with a good manners and big wallets. I am not for you, “poor number 69”!

“BraBra” naked stands in a cage corner shivering.

She takes a sits on toilet-stand and starts peeing. The sound of spurting stream sounds very loud.

(continues)

- I told you give me my clothes back and give me cigarette!

“Casino guard #1” draws the pack of cigarettes and the lighter from his pocket, takes “BraBra” dress and throws all that stuff onto the cage floor.

“Casino guard #1”:

- Be my guest, baby!

SCENE 7

INT. CASINO – CASINO BASEMENT – CAGE – DARK LIGHT

(”BraBra”, “Casino guard #1”)

“Casino guard #1” lives the basement room closing the door with a big loud.

“BraBra” starts dressing up nervously. She continues shivering.

“Casino guard #1”:

(V.O.)

- I’ll be back, baby!

“BraBra” (shouting):

- Are you fucking Stallone, man, or what?!

“Casino guard #1”:

(V.O.)

- Call be Arny, baby! Mr. Stallone will come soon. That is my boss.

FADE OUT

SCENE 8

INT. CASINO – CASINO BASEMENT – CAGE-CANDLES LIGHT

(”BraBra”)

FADE IN

“BraBra” sits on toilet-stand and pees. She smokes holding cigarette with her left hand. She spits a few times on the cage floor. The stream is very low and suddenly starting dropping at a time.

“BraBra”:

(V.O.)

- How romantic, candles are everywhere! I can’t believe it! They really have this cage in casino basement! And it is certainly not for keeping cash in stock as I thought before. Well, honey, you watch too much movies. I do not see any fucking dollar here, but all those candles!

(pause, starting coughing)

Ye-a-a-p, it seems that terrible thing “Dinamo” told me about is not just a gossip but pure truth. Now I see why I have never met again all those people who whenever won Jack Pot prize in this fucking casino. What a poor people!

FADE OUT

SCENE 9

INT. CASINO – CASINO BASEMENT – CAGE-CANDLES LIGHT

(”BraBra”)

FLASH IN

“BraBra” sits on toilet-stand and quickly makes deep breathing in and breathing out. She spits. The candles are burning down and going out.

- Where is that fucking Stallone, or Arny? Whatever! H-e-y! Anybody’s home? I am not going to spend all my life in this fucking cage in darkness!

SCENE 10

INT. CASINO – CASINO BASEMENT – CAGE-DAY LIGHT

(”BraBra”)

FADE IN

“BraBra” sits on toilet-stand with her eyes closed. She looks very tired.

FADE OUT

SCENE 11

INT. CASINO – CASINO BASEMENT – CAGE- DAY LIGHT

(”Casino owner”, “BraBra”)

FADE IN

“BraBra” lies on the floor close to the toilet-stand. She sleeps snoring loudly. “Casino owner” stands close to the cage. He is very drunk.

“Casino owner”:

(shouting aloud)

- H-e-y! Anybody’s home?! Mr. Rocky Feller wants to have some fun!

“BraBra” open her eyes.

FADE OUT

SCENE 12

INT. CASINO – CASINO BASEMENT – CAGE- DAY LIGHT

(”Casino guard 1”,”BraBra”)

FADE IN

“Casino guard #1” stands close to the cage. He holds a fire-tube pointed towards “BraBra” watering her. ”BraBra” jumps up and starts screaming loudly.

“Casino guard #1”:

(shouting aloud)

- My boss said you must look fresh!

FADE OUT

SCENE 13

INT. CASINO – CASINO BASEMENT – CAGE- DAY LIGHT

(”Casino guard 1”,”BraBra”)

“BraBra” sits on the on toilet-stand. She is wet and shivers. She starts crying.

In a moment she stops crying and runs quickly towards the cage door.

She tries to open the door a few times. The door is closed.

SCENE 14

INT. CASINO – CASINO BASEMENT – CAGE- CANDLES LIGHT

(”Casino guard #1”,”BraBra”)

FADE IN

“Casino guard #1” sits close to “BraBra” and touches her right bra.

“BraBra” lies with her legs and hands tied. She cries.

“Casino guard #1”:

(whispering)

- It’s over now.take it easy.You look really tired, baby. Our taxi driver will bring you at home with a comfort. It was just a dream, just one really bad dream.

FADE OUT

2. EPISODE “HUMAN TRAFFICKING STORY INTRODUCTION”

SCENE 1

EXT. SMALL VILLAGE BEHIND A LAKE STAGE – DAY-SUNLIGHT

Small village with old houses panoramic view, birds singing and cows mooing sounds. The camera zooms in one of the old houses.

SCENE 2

EXT. VILLIAGE – HOUSE - COWS STAGE – DAY- SUNLIGHT

(“CHORA’S” MOTHER)

“Chora’s” mother stands close to the house. She holds a big tray with a dirty linen. Two cows mooing aloud are behind her. “Chora’s” mother makes her face like she is trying to remember something.

FADE OUT

SCENE 3

EXT. SITTING MAN WATCHING STAGE – DAY- SUNLIGHT

(TOMMY’S FATHER, “CHORA’S” MOTHER)

The Tommy’s father sits in a grass behind “Chora’s” mother. He carefully watches “Chora’s” mother standing with her pants down.

FLASH IN

SCENE 4

EXT. TWO FARMERS RAPE A WOMAN STAGE – DAY

(FARMER #1, FARMER #2, “CHORA’S” MOTHER)

FLASH IN

“Chora’s” mother is on her back with her legs up. Farmer #1 rapes “Chora’s” mother holding her legs. Farmer #2 holds her hands tight.

Farmer #1:

- Take it easy! Relax and have fun, you always wanted to have a baby, girl!

Farmer #2:

- Sorry, we cannot give you a guarantee but who knows maybe you will have little pink twins!

Farmer #1 laughs aloud.

FADE OUT

SCENE 5

EXT. HOTEL BUILDING STAGE – DAY-SUNLIGHT

FADE IN

City view with hotel building, the camera zooms in a hotel room window.

SCENE 6

INT. HOTEL ROOM #321 – ELECTRIC LIGHT

(“DINAMO”, JOHNNY LUCKY “LUCIANO”)

FADE IN

Johnny Lucky “Luchiano” is asleep on the sofa. He is snoring, loudly.

“Dinamo” takes a sit on the sofa. She puts her left hand on

Johnny Lucky “Luciano’s” forehead. The TV is on and a police officer is seen on the TV screen, he is reporting.

“Dinamo”:

Well, well, well, poor Italian man, too much food.too much alcohol and no money for me. Today is my day off as it seems.

(pause)

What the hell's that uncle doing with “Chora”?

SCENE 7

INT. HOTEL ROOM #322 – DAY-ELECTRIC LIGHT

(“CHORA”, GIUSEPPE DOLCE “Gambino”)

Giuseppe Dolce “Gambino” and “Chora” have sex on the sofa.

Giuseppe Dolce “Gambino’s” breathing increasingly gets heavier.

GIUSEPPE DOLCE:

Oh yeah baby! You certainly deserve the hundred bucks I am going to pay you!

CHORA (laughing):

So maybe my sugar daddy's going to pay me more tonight?

I hope you're not getting ready to have a heart attack, are you OK, huh?

FADE OUT

SCENE 8

INT. HOTEL ROOM #666 – DAY-ELCECTRIC LIGHT

(MAFIA MAN “BONANNO”, ANDREI, “BraBra”)

FADE IN

Looking and behaving like a mafia-man “Bonanno”, “BraBra” and Andrei are on the sofa.

“BraBra” sits between two. She holds dollar banknotes with her both right and left hands. She smiles.

Andrei:

So are you happy now?

Why not to come with us in the United States and you will get a very well-paid job.

You are going to be rich, a little baby-bitch.

FADE OUT

3. EPISODE “FIONA AT SCHOOL”

SCENE 1

INT. SCHOOL – CLASSROOM - DAYLIGHT

(FIONA-TEEN)

Fiona stands close to the desk. She holds up the results of her French test, showing a “D-” on it.

Fiona:

Mr. Serious, is that all I deserve? I really enjoy learning French, and my dream is to go to Paris one day.

SCENE 2

INT. SCHOOL – CLASSROOM - DAYLIGHT

(TEACHER, FIONA-TEEN)

Teacher sits at the desk. He holds a pen with his right hand. Fiona-teen stands close the Teacher.

Teacher:

Well, Fiona, do you think it might be possible to make a better grade?

The teacher looks at Fiona’s legs.

SCENE 3

INT. SCHOOL – CLASSROOM - DAYLIGHT

(TEACHER, FIONA-TEEN)

Teacher sits at the desk. Fiona stands close to the desk.

Teacher:

So what do you know about France?

Fiona:

Just one thing, teacher, the French kiss.

Teacher:

Well, Fiona, that’s the reason why you got a “D” minus.

Fiona:

But I'd love to do "something extra" to make an A! I have no idea how I can do anything more, teacher. I spend every evening working very hard on my homework assignments. I can't even get my younger sister to give me any help...

My father's an asshole. He's never satisfied with anything I do.

He's always punishing me, and he spanks me on my ass,

regardless of what I do. Nothing's ever right.

Teacher:

Well, hm! That’s surprising. What about to surprise me?

SCENE 4

INT. SCHOOL – CLASSROOM – TABLE-DAYLIGHT

(FIONA-TEEN)

Fiona leans over the desk and gets closer to the teacher. She removes her panties.

Fiona:

I can show you my father’s surprise if you like.

Just take a look. I am not making it up.

Teacher:

V.O.

Well, Fiona, please don’t do it here!

I believe you!

FADE OUT

SCENE 5

INT. SCHOOL – CLASSROOM – DESK - DAYLIGHT

(TEACHER, FIONA-TEEN)

FADE IN

Fiona approaches the desk.

Teacher:

V.O.

Today we have been studying how to conjugate the verb “to do”.

Can you please go to the desk and write in French “I want to do, we want to do, they want to do”?

Fiona starts writing in block letters on the blackboard “I WANT TO DO IT!”.

SCENE 6

INT. SCHOOL – CLASSROOM – THE DESK - DAYLIGHT

(FIONA-TEEN, TEACHER)

FADE IN

Teacher stands close to the desk. Fiona gives a blowjob to the teacher.

Teacher:

Oh, yeah! Your French is much better now and certainly earned an “A+”!

FADE OUT

SCENE 7

INT. SCHOOL – CLASSROOM – THE DESK - DAYLIGHT

(FIONA-TEEN, TEACHER)

FADE IN

Fiona stands close to the desk. She's completely nude.

She has a copy of her test stuck to her breasts. It's marked "A+".

Teacher:

V.O.

Well Fiona, the day after tomorrow I'll be giving another test,

so please, be sure not to miss your French class!

V.O. NARRATION:

(by Dimanasus’ voice)

“Mistakes are painful but year’s later collection of mistakes is called experience that

leads to success”

FADE OUT

4. EPISODE “DIMANASUS’ DREAMS”

SCENE 1

INT. DIMANASUS’ APARTMENT – BATH ROOM – MORNING-DAYLIGHT

(DIMANASUS)

FADE IN

Dimanasus looks into the mirror. The church bells are ringing.

FLASH IN

SCENE 2

EXT. MINSK CITY CHURCH STAGE – DAY

(VICTOR)

FLASH IN

STAGE DESCRIPTION:

ONE GROUPS OF ADULTS AND ONE GROUP OF TEENS STAND CLOSE TO THE CHURCH ENTRANCE. ALL KEEP SILENCE AND SUDDENLY THE RINGING OF CHURCH BELLS STARTS WHEN VICTOR APPEARS AS A YOUNG PEOPLE GROUP LEADER.

V.O. NARRATION:

(by Dimanasus’ voice)

I just had a very disturbing dream. I was with a group of young people who were killing groups of people and then returning to an old church. It was a very beautiful church.

SCENE 3

EXT. THE STREET IN FRONT OF MINSK CITY CHURCH STAGE – MCDONALD’S BUILDING – DAY

A group of young people stands at the scene left side. Each person is armed with a gun machine. Both young men and women shoot with a gun machines towards two groups of people of different age. These groups stand at the scene right side close to each other but separated with about 3-5 meters. Everyone starts slowly falling on the sidewalk.

V.O. NARRATION:

(by Dimanasus’ voice)

I was on friendly terms with the group leader. So I was safe in their presence.

FADE OUT

SCENE 4

EXT. OLD CHURCH STAGE – DAY

(POLICE MAN #1, POLICE MAN #2)

The Police man #1 slowly approaches the church from the stage left side.

V.O. NARRATION:

(by Dimanasus’ voice)

Yahshua said, “If ye be loving me, my commandments, ye

will keep. This aspect of love is concrete.

The primary Hebrew word that has been translated love,is ‘Ahab’ or ‘Ahabah.’

The Police man #2 slowly approaches the church from the stage right side.

V.O. NARRATION:

(by Dimanasus’ voice)

Suddenly a large squadron of police armed like a soldiers entered the church.

I was scared.

SCENE 5

INT. DIMANASUS’ APARTMENT- THE KITCHEN – TV SET

(SERGEY)

FADE IN

Sergey is in the kitchen. The TV is turned on, the people protest demonstration surrounded by police men are seen on TV screen. One of the protesters starts screaming loudly.

Sergey:

Anybody is home? I'm in the kitchen! Well, nobody’s here! Where are you?

Do you know that you were screaming this morning like that man on TV!

Were you having a nightmare or what?!

Sergey takes the TV remote control and switches the channel. The priest appears on TV screen.

V.O. NARRATION:

(by Priest’s voice)

“As a Christian, our two great commandments are to “ahab” Yahweh thy Elohim,––with all thy heart, and with all thy soul, and with all thy might” and to “ahab” thy neighbor, as thyself”. We must unlearn what we think love means and start from the beginning to discover the meaning Yahweh has given the term ahab”.

Sergey takes the TV remote control and switches the channel. One of the protesters holding a big protest poster under his head screams loudly.

FLASH IN

SCENE 6

EXT. THE SQUARE IN FRONT OF THE CHURCH - DAY

(YOUNG PEOPLE CROWD, OLEG)

FLASH IN

Oleg holds a big protest poster under his head. “Give me something to eat and drink” is written on the poster.

V.O. NARRATION:

(by Dimanasus’ voice)

The police detain a lot of young people. They lined them up and interrogated each one of them, arresting most of them, and releasing just a few who couldn't be tied to the group.

Oleg changes the protest poster for a new one. He holds it under his head. “Happy Birthday, Sergey!” is written on a new poster.

V.O. NARRATION:

(by Priest’s voice)

“Reprove a wise man, and he will love thee.” The term. “Hate”’ as a Christian Doctrine is completely foreign to us. Actually the word, “hate”’ appears to Christians to be Satanic. As Christians, are we supposed to hate; can hating wickedness be a godly attribute?

Do Yahweh and Christ hate?

FADE OUT

SCENE 7

EXT. THE STREET – BUILDINGS-THUNDER STORM LIGHTNING

(OLEG, SLAVA)

FADE IN

Slava walks on the street. He holds a bottle of beer with his right hand.

He pauses and stands up in front of a building. Slava drinks a beer from the bottle. He opens the front door, enters and collapse with a doorway. Oleg appears standing in a doorway holding a protest poster. “I am always hungry and thirsty” is written on the poster.

V.O. NARRATION:

(by Dimanasus’ voice)

One of the investigators, again a friend of mine, was suspicious of me, but didn't arrest me. I was walking through the streets. I saw the kids standing on sidewalks holding up protest signs, voicing their anger. I went into some kind of building, either a building associated with law enforcement, or possibly the old church itself. I noticed that my police officer friend was already inside the building. He looked very strange.

Slava quickly points his finger onto the poster. Oleg changes the protest poster for a new one “NOTHING TO CLAIM” is written on the poster. The poster gets broken and falls on the floor.

Oleg:

V.O.

One man was found lying on the floor of his van covered with hundreds and thousands dollar banknotes. Police said that he topped himself.

SCENE 8

EXT. THE BUILDING – DAY

(SLAVA)

The building looks strange. Birds’ singing is sounded.

Slava stands like a soldier. He holds a gun machine with his two hands.

His normally looking face suddenly starts changing for Sylvester Stallone’s and soon after for Arnold Schwarzenegger caricature images.

V.O. NARRATION:

(by Dimanasus’ voice imitating Sylvester Stallone’s way of speech)

I could see him asking me questions about the protesters, questions about my involvement with them. I kept telling him that I was an innocent bystander. As we were talked, another one of my police officer friends walked in. He sat down and started talking to me. It seemed like he was interrogating me. He kept asking me whose side I was on.

SCENE 9

EXT. THE OLD CHURCH BUILDING - DAY

(SLAVA, ANDREY)

Slava stands in front of old church at the stage left side.

He looks strange with sunglasses and bandage on his clean shaven head. Suddenly he makes faces and his face starts looking like Andrey’ face.

V.O. NARRATION:

(by Dimanasus’ voice imitating Sylvester Stallone’s way of speech)

I told the other police officer that I was a bystander.

SCENE 10

EXT. THE CHURCH - DAY

(SLAVA)

Slava approaches the church building’s exit. He holds a bottle of beer with his hands. He starts drinking from the bottle and a gun shooting sounds at the same time.

V.O. NARRATION:

(by Dimanasus’ voice imitating Sylvester Stallone’s way of speech)

I heard gun shots. I was scared to death about what was happening, but I kept my cool and continued walking toward the building's exit. I left the building. I noticed three young women making pee close to the church exterior wall. They looked like a real whores.

SCENE 11

EXT. THE CHURCH EXTERIOR WALL - DAY

(“CHORA”, ”BraBra”, ”DINAMO”)

“Chora”, ”BraBra” and “Dinamo” stand close to the church exterior wall.

“CHORA” and ”BraBra” unzip their jeans. They start peeing. Both try to point their peeing streams toward the wall.

V.O. NARRATION:

(by Dimanasus’ voice imitating Sylvester Stallone’s way of speech)

I walked past the old church and noticed that it was being renovated. A new church congregation was fixing it up. I turned and walked along the exterior wall of the church toward the back alley. The back of the church looked like it had been fully restored and was even more beautiful than before.

SCENE 12

EXT. CHURCH’S BACK SIDE

(OKSANA,SVETLANA,”FLY”,”Blow”)

All stand naked in a row close to church’s back side and holding glasses with different alcohol beverages. Their clothes are on the ground.

V.O. NARRATION:

(by Dimanasus’ voice imitating Arnold Schwarzenegger’s way of speech)

I met four young women. They were naked standing in the row. They looked very strange to me. Through a doorway entrance to the left of the church's back side, I could see young people holding glasses like it was some party being ushered into the church. I quickly joined the line, blending in with the group, and entered the church to attend whatever was going on inside. My impression was that the church was doing some kind of intervention on behalf of the youth.

SCENE 13

INT. INSIDE THE CHURCH-HALL-DARK LIGHT

(CHURCH MEMBERS, FIONA-ADULT)

The organ music is playing. The church members (the women of different age) seat at rows of tables. Fiona-ADULT stands and holds “Bible” book with her left hand.

Narration:

As I was entering the church, I noticed one of the members was putting on a mask, (pause) just like the mask that the youth had used when they attacked their victims. On top of the mask he placed another mask, to perfectly match his own face. I thought that was very strange. Then I noticed that the guy was carrying a gun, just like the one that I’d seen the youth use. So I followed everyone into the church's interior. Each church member, mostly young women, was seated along long rows of tables. They all had a sad appearance on their faces, seemingly directed toward the youth who were now inside the room, assembled toward one end of the row of tables, and along both sides.

SCENE 14

INT. THE CHURCH – THE WALL

(SLAVA, TOMMY-ADULT, “FLY”)

Slava walks toward the exterior wall of the room. He suddenly meets a young woman. She is drunk. Tommy-Adult dressed in military uniform stands up from the table and quickly approaches “Fly”.

V.O. NARRATION:

(by Dimanasus’ voice imitating the Priest’s way of speech)

I walked toward the room's exterior wall and met one strange young woman. Moments later the person I'd seen earlier putting on a mask suddenly stood up from his table and ripped off his mask. The masked man lifted his gun and fired at one of the youth, killing him instantly.

SCENE 15

EXT. THE CHURCH EXTERIOR WALL - GARDEN GATES - DAY

(TOMMY-ADULT, FBI AGENT, “Fly”)

Tommy-Adult stands close to the exterior church wall near the garden gates. “Fly” stands close to the garden wall. FBI Agent holds “Fly’s” right hand with his left one. “Fly” starts yelling.

V.O. NARRATION:

(by Dimanasus’ voice imitating the Priest’s way of speech)

I quickly exited the room, escaping through a door entrance to a garden area. Running, I took a quick look back, and I could see other church members doing the same thing: they were killing the young people as they fled. As I continued my dash through the garden, I could hear the guns firing, as the screaming slowly quieted.

SCENE 16

EXT. THE GARDEN – OAK TREE - DAY

(“Fly”)

FADE IN

“Fly” naked lies on the ground back side up.

FADE OUT

SCENE 17

EXT. THE GARDEN-THUNDER STROM LIGHTENING

(SLAVA, VICTOR)

FADE IN

Slava is walking and approaching the garden gates. He meets up with Victor who looks like a “youth manifestation leader”. Victor points his finger up and starts laughing loud.

V.O. NARRATION:

(by Dimanasus’ voice imitating the Priest’s way of speech)

I walk up and meet with the leader of youth group. He asks how why I was spared. I told him that I was just a bystander. Just a while later, my police officer friend walks up to me asking the same thing, and wants to know if I know who else was a part of the group. I couldn't tell him because I was afraid to reveal any of the names of the group members, fearing what they might do to me. The young people kept trying to talk me into joining their group, so that we could fight back for the senseless, brutal killings of the friends.

FADE OUT

SCENE 18

INT. SLAVA’ APARTMENT- THE GARDEN –EVENING

(SLAVA, TOMMY-Adult, “CHORA”)

Tommy-Adult holds his left hand on “CHORA’s” back side neck. “CHORA” is naked. Slava opens the door. Tommy-Adult” and “CHORA” both enter the apartment.

V.O. NARRATION:

(by Dimanasus’ voice imitating the Priest’s way of speech)

I came back at my home. Since that moment I saw myself looking much younger. It seemed very strange to me. My officer friend with a naked girl who seemed to be victim knocked on the door. I let them in. He started talking about the killing of the young people, and how he thought it was the right thing to do for the church members to kill them! I was very stunned to hear this. I was confused and frightened. How could this man say these things, I was thinking to myself? They were just kids killed in cold-blood without trial. What kind of insanity is this, I thought? I told my officer friend I needed to finish securing everything for night.

SCENE 19

INT. DIMANASUS’ APARTMENT- THE KITCHEN – ELECTRIC LIGHT-THUNDER AND LIGHTENING

(SERGEY)

FADE IN

Sergey holding TV remote control stands in the kitchen. The priest preying is seen on the TV screen.

Sergey:

I want something to eat and drink? Do you hear me?

V.O. NARRATION:

(by Dimanasus’ voice imitating the Priest’s way of speech)

He walked to my back porch, and I grabbed my shot gun. I followed him, and as he turned, I shot him, and he fell against a sharp object sticking out from the wall. He stood there, unable to fall, and asked me, "Why?" I gave no answer.

Sergey switches TV set on another channel. Protesters can be seen demonstrating on the local TV news.

V.O. NARRATION:

(by Dimanasus’ voice imitating the Priest’s way of speech)

I walk out. I looked back through the window and saw that he had died. The youth leader approached me and handed me a mask, and I took it. I had decided to join them in their fight. Apparently, there were more kids fighting in the streets with the church people and the police. An elderly woman driving a car, who was helping the young people, pulled up beside me. She told me to get in. I did. We drove away from the town, followed by a cop car. She quickly lost them and parked in a hidden parking area.

The electricity suddenly cuts off and the kitchen is in darkness.

Sergey (V.O):

What a fuck with the electricity?!Some stupid lonely fat ugly women turned on their powerful penis-toys altogether at the same time or what?!

5. EPISODE “FIONA KILLS HER FATHER”

SCENE 1

EXT. YARD – DAY

(ANGELA, FIONA)

FADE IN

Fiona is naked. Her gloves are covered with blood stains. Angela approaches Fiona.

Angela:

Wow, Fiona! Did you just finish painting something red? Your gloves are so dirty! Well, well, well,let me guess! Was it our pussy cat? She must be very attractive to the males now. Indeed, ginger and white is not a style for her.

Angela laughs.

By the way, where's daddy? I need to tell him something.

SCENE 2

EXT. YARD – DAY- CONTINUING

(ANGELA,FIONA)

Fiona puts on her white panties. Angela is standing close to her.

Fiona:

It's not about our poor pussy cat. She's probably still dying of finding a male to fuck.

(Pause)

Daddy's dead. That bloody alcoholic raped ...and almost strangled me. I felt like I was about to die. When he finished, I killed him with his knife. You know - the one that wore on his belt. The one that he cut mushrooms with while gathering them in the forest.

Angela:

I'm not at all surprised. You know I never told you this, but he raped me last week.

He warned me never to tell anybody; otherwise he promised that he would kill me.

Of course, I wanted to tell you, but now, who cares? So what we are going to do?

I mean, you know what.

SCENE 3

EXT. YARD – DAY- CONTINUING

(ANGELA,FIONA)

Fiona stops walking. Angela stands close to her.

Fiona:

Just give me a hand. Let's

Angela:

Well, I'll go get the shovels and the wheelbarrow right now. You are so cool, sister! You got blood all over your panties. They were you favorites. I guess we should bury them too. They'll be too difficult to wash.

FADE OUT

SCENE 4

EXT. YARD – FOREST- DAY

(ANGELA,FIONA)

Fiona holds a shovel. Angela approaches the grave.

FADE IN

Fiona:

Live in peace daddy. At least you gave us birth!

Angela:

Maybe we should cover our father’s body with some carpet?

(pause)

Hopefully, we'll be in Philly in four days. What we going to tell Mom?